NEW 
The stage setup
Front of house, monitors, backline, lighting plan and structure: a coherent whole built by an experienced crew.
Front-of-house system
Line array or stack sized to the audience, cardioid subwoofers and fill zones for the far crowd.
Learn more →Stage monitors
Wedges and in-ear systems so each musician hears what they need, with a separate monitor mix.
FOH and monitor control
Digital consoles, patch plan, memory per act and dedicated engineers.
Learn more →Dynamic lighting plan
Moving heads, beams, LED bars, backlight and effect machines operated live on the music.
Learn more →Stage structure
Stage, truss, goalpost and dressing, with load calculation and ballast for outdoor use.
Learn more →Soundchecks and artist liaison
Organisation of soundchecks, handling of technical riders and technical hosting of the bands.
Reading and respecting the technical rider
Every band sends a technical rider: input list, stage plan, monitor requirements, expected backline. It is the document that determines whether the day runs smoothly. We study it in advance, flag any gaps against the planned setup and propose equivalents when an exact piece of equipment is not available in Morocco.
On multi-band bills we prepare a shared patch and timed changeovers, to hold the schedule without sacrificing soundchecks.
Outdoors: power, electricity and weather
An open-air concert demands more power than indoors, a dedicated supply from a silenced generator, and serious ballasting of structures against wind. Headroom is not a luxury: it is what lets you cope when the crowd is bigger than expected.
We also plan protection of equipment against night humidity and dust, and a sheltered control position for the engineers.
What we put in place
- Study of the technical rider and stage plan
- Front-of-house system sized with headroom
- Stage monitors and dedicated monitor mix
- Separate front-of-house and monitor positions
- Lighting plan operated live on the music
- Build crew and stage changeovers
Frequently asked questions
Do you supply the backline?
We supply the loudspeaker system, monitors, control and lighting. Backline (drums, amps, keyboards) can be added on request subject to availability.
How long does building a festival stage take?
One to two days depending on the size of the setup, including structure and rigging, plus a morning of soundchecks.
Do you handle sound level restrictions?
Yes. We install a limiter if the local authority or the venue requires one, and tune the system to preserve quality despite the constraint.
An event to amplify or to light?
Tell us your venue, your date and your guest count: we send you a costed technical proposal within 24 hours.